![]() The course covered 150 years and 150 musicians. The broad pop music class challenged his students to defend why certain luminaries like Billie Holiday and James Brown were vital to the pantheon of American music. But why is he doing that? How is he doing that? And why do we like it?”Īfter publishing his critically acclaimed history of the Hip Hop music business, The Big Payback, Charnas began teaching music history at NYU’s Clive Davis School of Music. The snare is coming early and it’s making the hi-hats seem off. I’m like, ‘What’s going on with those hi-hats? They sound off.’ That’s when I took it into my digital audio workstation and lined up the waveforms with the grid, and I realized there’s nothing wrong with those hi-hats. But then, six months later, I’m mixing the album down. He was just a fun producer who had very loose beats. ![]() It wasn’t until I got back from Detroit about six months later that I began to really understand the rhythmic subversion of them. ![]() “They’re two of the best beats that Jay Dee ever made,” he recalls with pride. ![]()
0 Comments
Leave a Reply. |